Tag Archives: Ghost Stories

Five uncanny tales for the price of one – Anthology: Wry Out West

Download Anthology: Wry Out West, five twisted tales of the uncanny for the promotional price of only 99p/99c (normal price £2.49/$3.21) until 4pm Wednesday 5 July (price increases to £1.99/$1.99, then returns to full on Friday 7 July). Also available in paperback (273 pages). For the UK please visit https://www.amazon.co.uk/dp/B072P1VMM3 and for and the https://www.amazon.co.uk/dp/B072P1VMM3

From the acid-fried occult satire of Gwydion’s Dawn, to the dark deception of seventeenth-century Devon in The Cleft Owl; a trip into disorientation in 3:05 am, to the vengeful malignance of Old Crotchet, each tale is as distinctly odd, and unsettling, as the seemingly innocuous guide in Agnes of Grimstone Peverell.

The humour is dark, and the protagonists all too unawares of the sinister forces that lurk beneath the fragile veneer of the everyday world; shifting and malevolent, they are there to be seen, and sensed, if the characters should care to look, yet more often than not, they do not. The forces of the irrational, the supernatural and the paranormal bide their time, waiting to irrupt through the divide and come crashing into the present, with a vividness as unwelcome as it is unexpected.

Book Review: ‘The Haunted Hotel & Other Stories’, Wilkie Collins.

Although the named novella takes up almost half the length of this volume, a further eight tales can be found between its covers, a number of which I found more satisfying than The Haunted Hotel itself. This is not to say that I did not enjoy the latter, for I did, but it struck me as being less polished than some of the shorter works.

Whereas Collins is best known for his mystery novels The Woman in White and The Moonstone, with the second title being widely hailed as the first detective novel written in English, he was also rated highly as a writer of ghost stories, and The Haunted Hotel is, unsurprisingly, just such a story. However, the reader has to wait a long time before any form of ghostly manifestation materialises, with much of the novella reading more as a conventional mystery. Although I may be mistaken in taking this view, it struck me that Collins had, perhaps, originally intended his novella to be a full-length novel, but had grown tired of it, and thus decided to abridge it. Thus, the author appears to have employed the device of allowing one of his leading characters to divulge the hidden course of events by passing off his own unrealised notes in the form of notes for an as yet unwritten play. It left me feeling that it could have become something greater than it was.

It was, therefore, the short stories that I found most to my taste in this collection, particularly The Dream Woman, A Terribly Strange Bed, Nine O’ Clock!, and The Devil’s Spectacles. Only the first of these four can be described as a true ghost story, although Nine O’Clock! does feature a doppelganger and deathly prophecy.

The Dream Woman centres upon a premonitory haunting, in which the tale of an unfortunate ostler is recounted by his current employer – the landlord of an inn – to the narrator. It is an atmospheric classic, in which Collins builds an eerie tension that is sure to hook the attention of any lover of a good ghostly yarn. The concluding story in this collection – The Devil’s Spectacles – is a supernatural oddity, and all the better for it. In this, the protagonist is gifted a pair of spectacles by the most unsavoury of characters, and the powers that they bestow upon the wearer prove to be of a suitably Mephistophelian nature; they are not what could be termed ‘rose tinted’. Still, this engaging morality tale possesses a somewhat mythic quality, as well as a devilish dose of humour, and is my joint favourite in this collection.

Overall, although I found some of the tales a little overly melodramatic for my taste, I’d recommend this volume to the thrifty reader who is interested in classic mysteries with a dash of the supernatural.

Wry Out West in Paperback

Anthology: Wry Out West, is now available in paperback from Amazon. To preview and purchase a copy, simply click on the image below. For those of you who prefer ebooks, it is also available in Kindle format. If you live in the US rather than the UK, you can order by clicking here.

 

Anthology: Wry Out West

Previously published as standalone pieces in my West Country Tales series, this anthology gathers together five twisted tales of the uncanny that venture beyond the mere ‘funny peculiar’, into the realms of black comedy and satire. From the acid-fried occult oddity of Gwydion’s Dawn, to the bizarre rites of a seventeenth-century cunning man in The Cleft Owl; the psychological horror of 3:05 am, to the vengeful fury of a woman of more than 300 years of age in Old Crotchet, nothing will unsettle the reader more than the playful malignancy of the guide in Agnes of Grimstone Peverell. It would seem that in this much-loved and familiar region of rural England, it is not difficult to unwittingly unleash unseen forces which render it both hostile, and dangerous (and in writing this I am not referring to the effects of imbibing excessive quantities of scrumpy, although that can, of course, have the self-same effect).  

The ‘horror’ that you will encounter within is of the understated English variety; it is often implied and psychological, rather than being of the type favoured by the exponents of the ‘slasher’ genre. There is also – with the exception of The Cleft Owl – as much humour as there is terror.  

Whereas these tales are unconstrained by the bounds of any single genre, amongst their number you will find plenty to engage your attention should you possess a taste for mysteries, the paranormal, ghost stories, the occult, psychological horror and historical fiction, as well as, of course, satire.

To view a sample, or to purchase, please click on the image above. Free to Kindle Unlimited subscribers.

Anthology: Wry Out West

All being well, an anthology of my tales entitled ‘Wry Out West’ should be published and available for purchase by the end of next week – Friday 28th April. All that remains to be done is for me to tweak the cover artwork a little, and to finish formatting the text. Unlike the novelettes and novellas that I have thus far published in Kindle ebook format, this collection will also be available as a paperback. 

It will contain the following five tales: 

·         Old Crotchet

·         Gwydion’s Dawn

·         3:05 am

·         Agnes of Grimstone Peverell

·         The Cleft Owl 

‘The Rude Woman of Cerne’ is omitted from this collection merely on grounds of length, and will eventually become available in hard copy as part of a future anthology, but that may be a year to eighteen months away, owing to my next priority being the completion of a novel that I have been working on this past two years. It will likely be bundled with the forthcoming tales: ‘Upon Barden Moor’ (currently scheduled for publication in October) and ‘With These Hands’, with the latter being intended for a pre-Christmas release this year. Whereas the last of these tales will unfold on Dartmoor, ‘Upon Barden Moor’ is set in the Yorkshire Dales, marking a geographical departure from the West Country.  

I will post a cover preview for the anthology here early next week. The Kindle version will be priced at £2.99, but the price of the paperback has yet to be set. Once I am fully apprised of the printing costs, I will update readers here.

Book Review: ‘Hauntings: Tales of the Supernatural,’ ed. Henry Mazzeo, 1968

An entertaining collection of supernatural tales, some by authors that I have previously read, and others that I have not. What united them for me personally was the fact that I came to them all as a fresh reader, for I had not thumbed my way through any of the stories in this volume before. Although a number of the authors included will doubtless be familiar to horror aficionados, some of them were new to me, even a figure so apparently well known as August Derleth.  

Personal tastes differ, so it is just as well that I persevered reading beyond the first story in the collection – Derleth’s ‘The Lonesome Place’ – which I found particularly grating, owing to the extreme repetition of the term ‘lonesome place’ which seemed to pop up in every other sentence throughout the text. I would suggest, therefore, that a more befitting title would be ‘The Tiresome Place.’ Perhaps it would be unfair to judge Derleth too harshly upon the basis of having read only one of his tales, but if this is stylistically in keeping with his oeuvre, then I shall be steering well clear of anything else that he penned. There was one other story in the collection that I thought to be dire, once again owing to its exceptional repetitiveness – far too many ‘whistlings’ and ‘hoonings’ for my taste – entitled ‘The Whistling Room,’ by William Hope Hodgson. It was thus with something of a sardonic chuckle, having compelled myself to read the story, that I learned that Derleth had been something of an admirer of Hodgson.  

Having gone on, at some length, about what I did not enjoy in this collection, please do not let this deter you from picking up and enjoying this volume, for it contains much that will reward the reader with an interest in the supernatural with many hours of satisfactory reading. Some of the highlights, for me, included ‘Lot No. 249,’ (the original mummy story, set at Cambridge University during the 1880s) by Sir Arthur Conan Doyle; ‘The Open Door,’ by Margaret Oliphant; ‘The Ghostly Rental,’ by Henry James; ‘The Face,’ by E.F. Benson, and ‘The Grey Ones,’ by J.B. Priestley. The last of these contained a considerable amount of humour, which raised many a smile during its modest number of pages. I shall be looking out for more by Oliphant, Benson and Priestley, as well as by other familiar names in the traditional horror genre who contributed some enjoyable stories to this book, who include M.R. James, Robert Aickman, and H.P. Lovecraft. If I’d have been in Mazzeo’s seat as editor, I would have dispensed with the contributions by Derleth, Joseph Payne Brennan and Hodgson, substituting instead the ghostly tale shown below, although that may have been rather difficult in 1968, given that the author had yet to learn to speak, let alone write.