Novel Progress

More than two years into its writing, and I’m making good headway with the penultimate draft of my novel. It would have been finished sooner, but I got sidetracked into writing, and publishing, half a dozen shorter pieces in the interim. I hope to have it finished and published before the year is out, but this should be seen as an aspiration, rather than as a definite plan, for I have a terrible habit of revising, and then revising the revisions. The first chapters have been reworked so many times that few of the words remain from the original, although the structure has altered little as I had the plot clearly mapped out from the outset. Despite this fact, the first five words that open the story remain unchanged. As to what they are, you’ll have to wait and see.

What is this book about? There is, as in most of what I have written thus far, a liberal dose of humour, much of it black, but as for its primary themes, they are rather different: superstition, greed, jealousy, slavery, piracy and religious fanaticism; nothing that wouldn’t have been familiar to an ordinary resident of a seventeenth-century Cornish fishing village, but much which would, perhaps, be a surprise to the reader today, for the slavery and piracy outlined in these pages was real enough, but is now largely forgotten. The case could even be made for saying that the form of slavery dealt with in this tale has been airbrushed out of history, because it jars with the simplistic, and simplified, ‘Black’ victim/ ‘White’ oppressor narrative that dominates historical and popular discourse today. The evil of slavery, in its many forms, has never been a simple matter of black and white, irrespective of what some may claim in support of manufactured racial ‘grievances’ and political agendas in the present.

If we are to take the dictum that it is the victors who write history, what does it tell us about the state of the world that we live in today, when the enslavement of somewhere in the region of 1 to 1.25 million Europeans by North Africans, between the sixteenth and early nineteenth centuries, goes unmentioned? Moreover, when considering that this form of raiding and slavery was justified, and legitimised, through reference to religious texts and traditions – specifically Islamic ones, citing the example of the ‘Prophet’ himself – does this form and practise of human bondage not have something to tell us about the worldview of a certain religious tradition? I have omitted from these figures the even greater number of men, women and children taken by Islamic slavers in the territories that now comprise Ukraine, Russia and the Balkans.

There is, quite rightly, much written about the evils of the Transatlantic slave trade, and this should not be forgotten, but at the same time, we should not let this skew our historical perspective so that we fall into the error of forgetting ‘inconvenient’ facts because their existence happens to upset some people. We should not let the old racist hierarchy of White = good/superior and Black = bad/inferior simply be replaced by an inverted racism where Whites are seen as innately bad and evil, and Blacks as essentially good and virtuous. Human stupidity, vice and cruelty are the monopoly of no portion of humanity, and neither are its virtues. The novel does not position itself as some crude anti-Islamic tirade, but as a critique of the stupidity of dogmatism and superstition in its many forms, both religious, and political: there are bigots of many stripes, and they can exist on the Left, just as readily as on the Right.

I’d better shut up now, and add that the book’s primary aim is to entertain. Those who delight in finger-wagging will be disappointed.

Five uncanny tales for the price of one – Anthology: Wry Out West

Download Anthology: Wry Out West, five twisted tales of the uncanny for the promotional price of only 99p/99c (normal price £2.49/$3.21) until 4pm Wednesday 5 July (price increases to £1.99/$1.99, then returns to full on Friday 7 July). Also available in paperback (273 pages). For the UK please visit https://www.amazon.co.uk/dp/B072P1VMM3 and for and the https://www.amazon.co.uk/dp/B072P1VMM3

From the acid-fried occult satire of Gwydion’s Dawn, to the dark deception of seventeenth-century Devon in The Cleft Owl; a trip into disorientation in 3:05 am, to the vengeful malignance of Old Crotchet, each tale is as distinctly odd, and unsettling, as the seemingly innocuous guide in Agnes of Grimstone Peverell.

The humour is dark, and the protagonists all too unawares of the sinister forces that lurk beneath the fragile veneer of the everyday world; shifting and malevolent, they are there to be seen, and sensed, if the characters should care to look, yet more often than not, they do not. The forces of the irrational, the supernatural and the paranormal bide their time, waiting to irrupt through the divide and come crashing into the present, with a vividness as unwelcome as it is unexpected.

Saturday 1 July – 75 Books for Free, or 99p/99c

Click on the gull below (don’t worry, it won’t squawk in anger) to view and download 75 free or discounted books from the Support Indie Authors site today only. Amongst them you will find my Anthology: Wry Out West for 99p/99c, and 3:05 am as a free taster. There will be an accompanying Facebook event where you can chat to authors about their books and writing. My slot will be from 5:30-6:00 pm UK time, or 12:30-1:00 pm Eastern Standard Time. The event can be found at the following link: https://www.facebook.com/events/1567919563226951/

Support Indie Authors July Giveaway

 

 

 

Review: ‘Pompeii’ by Robert Harris

Harris’s fast-paced novel of life, and mass death, in Pompeii during the final days of its existence in AD 79, manages to create an evocative picture of first-century Roman society, in all of its opulence, corruption and squalor. His protagonist – Marcus Attilius Primus – has been sent to the nearby city of Misenum to act as the replacement for his missing predecessor, Exomnius, who was responsible for maintaining the Aqua Augusta, the mighty aqueduct which supplies the region with its water. The solving of the mystery of Exomnius’s disappearance is played out against the lead-up to, and climax of, the Vesuvian eruption, with the latter being described in vivid, and convincing, detail.

It is within the interplay between Attilius and his nemesis, Ampliatus, a sadistic, nouveau-riche, former slave turned regional plutocrat, that the primary drama of the book inheres, and it is in the portrayal of the pursuit, and abuse, of power and wealth that Harris exceeds. Ampliatus proves to be a compellingly repulsive character, an embodiment of the worst in Roman society, whereas Attilius serves as his principled foil. The reality of city politics is portrayed in a manner that is at once, depressingly, recognisable. Harris also provides us with a glimpse of the character of Pliny the Elder, who perished in the tragedy, courtesy of the notes regarding the eruption compiled by his nephew, Pliny the Younger. It is to the latter, of course, to whom we owe our knowledge of what unfolded in Pompeii during that fateful August, with his gift to posterity being honoured by the use of the adjective ‘Plinian’ in categorising the type of eruption observed at Vesuvius.

Harris’s research shows in the convincing detail that he deploys, which is woven into the warp and weft of the tale without being ostentatiously, and incongruously, displayed for the sake of ‘showing off’. The alien world of ancient Rome is thereby rendered almost familiar, despite the attitudinal, and philosophical, differences that framed the worldview of Roman citizens in this distant age. An enjoyable read which I finished surprisingly quickly.

Free & Discounted Books Saturday 1 July: Support Indie Authors

Do visit the Support Indie Authors site this coming Saturday to pick up book freebies and bargains, including my Anthology: Wry Out West for 99p/99c, and 3:05 am as a free taster. There will also be a Facebook event during which you can ask participating authors questions about their books and writing at  https://www.facebook.com/siafreeandbargainbookevents/

Support Indie Authors July Giveaway

Book Review: ‘The Haunted Hotel & Other Stories’, Wilkie Collins.

Although the named novella takes up almost half the length of this volume, a further eight tales can be found between its covers, a number of which I found more satisfying than The Haunted Hotel itself. This is not to say that I did not enjoy the latter, for I did, but it struck me as being less polished than some of the shorter works.

Whereas Collins is best known for his mystery novels The Woman in White and The Moonstone, with the second title being widely hailed as the first detective novel written in English, he was also rated highly as a writer of ghost stories, and The Haunted Hotel is, unsurprisingly, just such a story. However, the reader has to wait a long time before any form of ghostly manifestation materialises, with much of the novella reading more as a conventional mystery. Although I may be mistaken in taking this view, it struck me that Collins had, perhaps, originally intended his novella to be a full-length novel, but had grown tired of it, and thus decided to abridge it. Thus, the author appears to have employed the device of allowing one of his leading characters to divulge the hidden course of events by passing off his own unrealised notes in the form of notes for an as yet unwritten play. It left me feeling that it could have become something greater than it was.

It was, therefore, the short stories that I found most to my taste in this collection, particularly The Dream Woman, A Terribly Strange Bed, Nine O’ Clock!, and The Devil’s Spectacles. Only the first of these four can be described as a true ghost story, although Nine O’Clock! does feature a doppelganger and deathly prophecy.

The Dream Woman centres upon a premonitory haunting, in which the tale of an unfortunate ostler is recounted by his current employer – the landlord of an inn – to the narrator. It is an atmospheric classic, in which Collins builds an eerie tension that is sure to hook the attention of any lover of a good ghostly yarn. The concluding story in this collection – The Devil’s Spectacles – is a supernatural oddity, and all the better for it. In this, the protagonist is gifted a pair of spectacles by the most unsavoury of characters, and the powers that they bestow upon the wearer prove to be of a suitably Mephistophelian nature; they are not what could be termed ‘rose tinted’. Still, this engaging morality tale possesses a somewhat mythic quality, as well as a devilish dose of humour, and is my joint favourite in this collection.

Overall, although I found some of the tales a little overly melodramatic for my taste, I’d recommend this volume to the thrifty reader who is interested in classic mysteries with a dash of the supernatural.

Wry Out West in Paperback

Anthology: Wry Out West, is now available in paperback from Amazon. To preview and purchase a copy, simply click on the image below. For those of you who prefer ebooks, it is also available in Kindle format. If you live in the US rather than the UK, you can order by clicking here.

 

Anthology: Wry Out West

Previously published as standalone pieces in my West Country Tales series, this anthology gathers together five twisted tales of the uncanny that venture beyond the mere ‘funny peculiar’, into the realms of black comedy and satire. From the acid-fried occult oddity of Gwydion’s Dawn, to the bizarre rites of a seventeenth-century cunning man in The Cleft Owl; the psychological horror of 3:05 am, to the vengeful fury of a woman of more than 300 years of age in Old Crotchet, nothing will unsettle the reader more than the playful malignancy of the guide in Agnes of Grimstone Peverell. It would seem that in this much-loved and familiar region of rural England, it is not difficult to unwittingly unleash unseen forces which render it both hostile, and dangerous (and in writing this I am not referring to the effects of imbibing excessive quantities of scrumpy, although that can, of course, have the self-same effect).  

The ‘horror’ that you will encounter within is of the understated English variety; it is often implied and psychological, rather than being of the type favoured by the exponents of the ‘slasher’ genre. There is also – with the exception of The Cleft Owl – as much humour as there is terror.  

Whereas these tales are unconstrained by the bounds of any single genre, amongst their number you will find plenty to engage your attention should you possess a taste for mysteries, the paranormal, ghost stories, the occult, psychological horror and historical fiction, as well as, of course, satire.

To view a sample, or to purchase, please click on the image above. Free to Kindle Unlimited subscribers.

The Rude Woman Uncovered

I never was that satisfied with the crude original artwork that I cobbled together for ‘The Rude Woman of Cerne’, but as it is a humorous tale of the supernatural, the original’s daft imagery served well enough as an interim measure. Now, however, having snapped a suitably unusual and fitting image, I have redesigned the cover – as shown here – and have submitted it to Amazon in the perhaps vain hope that they will update my publication in a timely fashion. After all, it is now about ten days since I attempted to update the cover for ‘Agnes of Grimstone Peverell’, but something has gone awry. Touch wood, this cover will not suffer the same fate, and will instead be live and online before the week is out.

New cover artwork for The Rude Woman of Cerne.