Category Archives: Gothic Fiction

The Small Hand by Susan Hill

Ghosts are, as a rule, conservative creatures that do not tend to wander much beyond their favoured haunts. That they are also, at least in literature and the traditional ghost story, bound to return to our plane with some form of purpose, to re-enact some past trauma, or to seek retribution, or some form of restitution, is a given. On occasion, however, the ghost may venture further abroad, and such is the case in this tale, where the protagonist finds that a certain presence manifests itself at a far remove from where it was originally encountered.

In this novella, Hill leads us on an excursion into the contemporary gothic, where secrets, the supernatural, and psychological repression converge within the confines of an idyllic English country garden. It is a literary tale with a literary theme, where an antiquarian book dealer’s quest for a copy of Shakespeare’s First Folio becomes entwined with a deep self-questioning and sense of doubt, arising from a sequence of vivid impressions that he is unable to explain with any rational lucidity. The chill follows the protagonist from the Downs to loftier heights amidst the mountains of France, where a monastic setting provides an additional soupçon of the gothic. There may be others who possess an insight into the state in which he finds himself, but any such revelations you must discover for yourself.

This is an enjoyable read that I found more to my taste than Hill’s Printer’s Devil Court. Rather than focusing upon ‘jump scares’, as seems to be much the fashion these days, this novella focused upon creating a general ambience of unease, which is a technique that I, personally, find far more satisfying.

The Small Hand by Susan Hill may be previewed and purchased by clicking here.

Is Alison Littlewood the New Queen of the Yorkshire Gothic?

Having just read The Crow Garden, an enchanted brew of mesmerism, madness and the parting of the veil, I am left pondering the following question: is Alison Littlewood the new Queen of the Yorkshire Gothic? Could Kate Bush one day find herself penning, and performing, another wild and windy Yorkshire ditty by way of tribute? We shall have to see. One thing, however, is for certain: the author has found her forte in the world of the Victorian Gothic.

In mood and tone, this novel shares much in common with Littlewood’s previous book, The Hidden People, in which another young male London protagonist finds himself lost amongst the darkness of rural Yorkshire. This time, however, the young Victorian gentleman in question does not quite find himself away with the fairies, although he too is possessed of an equally powerful, and destructive, idée fixe. Also, as with The Hidden People, the figure of an alluring and yet unobtainable woman stands at the heart of this story. She is an enigma, and she not only holds Nathaniel Kerner in her thrall, but the reader too.

Séances, abduction, mesmerism and hysteria make for a heady concoction, served up in a dense descriptive prose, very much in keeping with the time in which the novel is set: the 1850s. It is something to be savoured, rather than rushed, but if a pacey read should be what you’re looking for, this is not a book for you. There is a certain sickening twist near the end of this tale which made me almost wish to gag. I really didn’t see it coming.

I shall say no more, for to do so would risk spoiling the shocks, and surprises, that lie within. The question is, will you dare take a step inside the doors of Crakethorne Asylum? Doctor Chettle awaits, with his calipers and a curious gaze. Has no one previously made mention of what a fascinating skull you possess?

The Crow Garden may be viewed and purchased here. Readers might also find the following Yorkshire-set Edwardian occult mystery to their taste: Upon Barden Moor.