More than two years into its writing, and I’m making good headway with the penultimate draft of my novel. It would have been finished sooner, but I got sidetracked into writing, and publishing, half a dozen shorter pieces in the interim. I hope to have it finished and published before the year is out, but this should be seen as an aspiration, rather than as a definite plan, for I have a terrible habit of revising, and then revising the revisions. The first chapters have been reworked so many times that few of the words remain from the original, although the structure has altered little as I had the plot clearly mapped out from the outset. Despite this fact, the first five words that open the story remain unchanged. As to what they are, you’ll have to wait and see.
What is this book about? There is, as in most of what I have written thus far, a liberal dose of humour, much of it black, but as for its primary themes, they are rather different: superstition, greed, jealousy, slavery, piracy and religious fanaticism; nothing that wouldn’t have been familiar to an ordinary resident of a seventeenth-century Cornish fishing village, but much which would, perhaps, be a surprise to the reader today, for the slavery and piracy outlined in these pages was real enough, but is now largely forgotten. The case could even be made for saying that the form of slavery dealt with in this tale has been airbrushed out of history, because it jars with the simplistic, and simplified, ‘Black’ victim/ ‘White’ oppressor narrative that dominates historical and popular discourse today. The evil of slavery, in its many forms, has never been a simple matter of black and white, irrespective of what some may claim in support of manufactured racial ‘grievances’ and political agendas in the present.
If we are to take the dictum that it is the victors who write history, what does it tell us about the state of the world that we live in today, when the enslavement of somewhere in the region of 1 to 1.25 million Europeans by North Africans, between the sixteenth and early nineteenth centuries, goes unmentioned? Moreover, when considering that this form of raiding and slavery was justified, and legitimised, through reference to religious texts and traditions – specifically Islamic ones, citing the example of the ‘Prophet’ himself – does this form and practise of human bondage not have something to tell us about the worldview of a certain religious tradition? I have omitted from these figures the even greater number of men, women and children taken by Islamic slavers in the territories that now comprise Ukraine, Russia and the Balkans.
There is, quite rightly, much written about the evils of the Transatlantic slave trade, and this should not be forgotten, but at the same time, we should not let this skew our historical perspective so that we fall into the error of forgetting ‘inconvenient’ facts because their existence happens to upset some people. We should not let the old racist hierarchy of White = good/superior and Black = bad/inferior simply be replaced by an inverted racism where Whites are seen as innately bad and evil, and Blacks as essentially good and virtuous. Human stupidity, vice and cruelty are the monopoly of no portion of humanity, and neither are its virtues. The novel does not position itself as some crude anti-Islamic tirade, but as a critique of the stupidity of dogmatism and superstition in its many forms, both religious, and political: there are bigots of many stripes, and they can exist on the Left, just as readily as on the Right.
I’d better shut up now, and add that the book’s primary aim is to entertain. Those who delight in finger-wagging will be disappointed.
