{"id":737,"date":"2019-01-23T10:37:12","date_gmt":"2019-01-23T10:37:12","guid":{"rendered":"http:\/\/www.hebulstrode.co.uk\/?p=737"},"modified":"2019-01-23T10:37:19","modified_gmt":"2019-01-23T10:37:19","slug":"the-spectre-of-the-fifth-monarchists-stalks-restoration-london","status":"publish","type":"post","link":"http:\/\/www.hebulstrode.co.uk\/?p=737","title":{"rendered":"the spectre of the Fifth Monarchists stalks Restoration London."},"content":{"rendered":"\n
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A review of <\/em>The\u00a0Ashes\u00a0of\u00a0London<\/em><\/a>, by Andrew Taylor. <\/p>\n\n\n\n

Old St Paul\u2019s Cathedral stands at the centre of this complex historical murder mystery that vividly transports the reader to the London of the Great Fire and its immediate aftermath. Its first chapter literally \u2013 pardon the pun \u2013 crackles, as the old edifice is reduced to ruins and ashes amidst the roaring of the flames. This is where the novel\u2019s dual protagonists \u2013 James Marwood and Catherine Lovett \u2013 encounter each other for the first time, and not for the last. It is a novel that plays with identities, real and assumed, weaving fictional characters into the lives of historical personages, with deception and subterfuge at its heart. Rape, murder, greed and religious fanaticism are given free rein to wreak their bloody work, whilst the spectre of the Fifth Monarchists stalks the world of Restoration London.<\/p>\n\n\n\n

Both Marwood and Lovett have familial\nskeletons in the cupboard that leave them vulnerable to manipulation from\nwithout, and the reader\u2019s sympathy is engaged as they attempt to find a place\nin the world for themselves whilst being employed as tools in the stratagems of\nothers. Catherine Lovett makes for an unusual female lead, being possessed of a\ntaste for architectural drawing, but proving to be as free and easy with the\nknife, as she is deft with the pen. <\/p>\n\n\n\n

The book is lengthy, but the shortness of the chapters and the pace of the prose ensures that the reader\u2019s attention is not lost. It is likely, however, to appeal more to readers of historical fiction than to those with a taste purely for crime and mystery, and although I have seen comparisons drawn between this volume and the works of C.J. Sansom, I must say that I prefer this one. That said, that may, at least in part, be down to my personal preference for the world of Restoration England over its Tudor equivalent, a preference expressed in my forthcoming novel The Gwennel Girl: A Cornish Mystery<\/em> (to be notified of its discounted release, please click here to sign up to my mailing list<\/a>). <\/p>\n

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